Where The Wild Things Are Waking Up

It's been a surprisingly good year for movies, despite the general debasement of the American movie-going culture. Between "Up", "The Hurt Locker", "District 9" and Zach Galifanakis' penis, it's been a pretty solid year overall. I mean, who doesn't want a fair dose of Galifanakis' member?(Actually, it wasn't, but whatever).

From the first moment that I heard the Arcade Fire-backed teaser for "Where the Wild Things Are", I was hooked. Desperate to see that movie, knowing that a children's film directed by Spike Jonze couldn't possibly resemble a children's film. Year-long rumors of production troubles and threats of taking the movie out of the director's hands did little to dissuade this notion.

Turns out that it definitely wasn't a children's film. As Jonze insisted, he wasn't interested in making a kids' movie, but rather, "a movie about childhood". He succeeded unlike anything I could've possibly imagined. I have read Sendak's classic dozens of times with Z, and we know it word for word, but I'll admit that I don't hold any undue reverence for the book. It's great, no question, but I never had a "oh god, they can't possibly make a movie of that" reaction. After all, it has the general guts for a movie - the book simply doesn't have a middle. But it has motivation, a beginning and an end. The rest was up to the filmmakers.

Jonze is a filmmaker I generally admire, though haven't loved. "Malcovich" was immensely clever and fun, but "Adaptation" made me frustrated and angry with its navel-gazing obsessions to self-obsessed artists. So I didn't walk in with reverence towards these uber-hipster filmmakers, and spent much of the last few weeks wondering whether or not I could take Z to see it. But that Arcade Fire song... god, it works wondrously in a trailer.

"Wake Up" is nowhere to be found in the movie, but the underlying message of the trade-offs that we make between childhood and adulthood infuses the soul of the film. The confusion that children feel, living in a world of adults and not feeling understood - and not understanding themselves - is something that carries into adulthood, and the characters of the "Wild Things". They are, on the surface, meant to mirror Max's lack of emotional control and understanding, but their very adult voices and relationships gives the subtle sensation that, no matter the age, we don't conquer these feelings and find answers to these questions.

In this way, "Where the Wild Things Are" is really the "Synecdoche, New York" of 2009. The feelings of alienation and confusion, the inability to put a finger on where you fit in, and who loves you, and whether or not those insecurities can and should be trusted... they're endemic to being 9 years old, but it doesn't leave when you're 20, or 30 or probably 60.

Not only is the song amazing, but the lyrics show there's no question they chose it for a clear, definable reason:

Somethin’ filled up
my heart with nothin’,
someone told me not to cry.

But now that I’m older,
my heart’s colder,
and I can see that it’s a lie.

Children wake up,
hold your mistake up,
before they turn the summer into dust.

If the children don’t grow up,
our bodies get bigger but our hearts get torn up.
We’re just a million little god’s causin rain storms turnin’ every good thing to rust.

The song is an admission that children understand there are complexities to life that they don't necessarily understand, but they know they're there. Just keeping those emotions buried deep does nothing but allows them to cope in a conventionally pre-defined way, but not to really live; eventually you fear that holding them down is what leads to emotionless drones later in life. While Max may not handle this emotions in the way that he necessarily should (he's definitely "wild" in a way that's too dangerous by half), at least he's acknowledging them. And the depiction of how those emotions bubble and surface in "Where the Wild Things Are" is brilliant, haunting and meaningful. Seeing them in Max is one thing, but then seeing them reflected in Max's face as other characters (namely Carol) grapple with them, is truly beautiful and heartbreaking.

And I still don't know if I should let Z see it. But I know that I'll want to have conversations with him about it for years to come. Especially about how the fact that, even as you get older, the confusion, the insecurity and all those other painful feelings don't necessarily go away. No one has it fully figured out.

See, there's just one story and everyone's the star...

See there's just one story
And everyone's the star
And it goes like this...

No one will ever love you
For everything you are 

And so you build up layers of deception
And you leave out things to alter the perceptions
Of the ones you love
Who would never love you back
If they knew all about you
Every solitary fact

-- Song for Caden, "Synecdoche, New York"

You think that people have it figured out. Everyone except for you. You're the only one who feels so horribly confused or lost. 

Except that's not remotely true. In fact, the more you get to know people - even the people you know really well - it becomes more clear that they are just as lost, confused and conflicted as you. I have some friends who are very dear to me, and I swear, spending time with them never ceases to put some of my own issues into perspective. These are people who are confident, secure, successful, incredibly smart. Generous, kind, wonderful people, who I adore. And, yet, they're total messes in so many ways. 

I'm not sure if that should make me MORE or LESS sad. There's a certain comfort in knowing that other people are just as fucked up as you are, each in their own, terribly unique, ways. But then there's also the question - why can't we all get our shit together?

The hardest part...

"The hardest part, is realizing you're in charge".

This is an exchange from the exceptional and necessary Mad Men, in which a divorced (and inevitably, ostracized through 1960s mores), single mother is counseling the protagonist's wife, who has thrown Don Draper out of the house. She doesn't know whether her marriage will survive or fail, in the long run. 

"That's the worst", the single mother responds to Betty Draper. Commenting on the uncertainty surrounding a troubled marriage. This line is so simple, and hard won experience has proven to me that it's absolutely perfect. My inner screenwriter deeply admires the deceptively simple feat.

Yes, it's always better on the other side, because at least you know. Uncertainty is replaced by knowledge and certainty. But it's a cold, cold comfort. You search for hope, and think there may be glimmers of it, but it's probably just a mirage. Or maybe this is all just an extension of my inability to cope with that uncertainty. 

"The hardest part, is realizing you're in charge", says the single mother to Betty Draper.

Yes, you realize you are in charge. You have to answer to nobody. You have the counsel of no one. It's deeply, truly scary to be making all those decisions, all those calls, on your own. Humbling. Making them within a partnership provided a comfort, even if there was friction, because you knew you were trying to figure it out together. Sure, you may have disagreed, you may have different perspectives, but there was a common goal. At least in theory. Now, no one has my agenda, except for me. And now I'm responsible for that agenda, as well as a little child, so open-hearted and helpless without me. He needs me to know the answers, and I don't always have them. Frankly, I feel like I'm missing them a lot of the time. 

Sometimes being in charge isn't such a great thing. In fact, it just might be the hardest thing of all.

Are other people debilitated by the knowledge that you should do something, are supposed to do something, and NEED to do something... but you don't do it? I'm in that place.

A major life turning point, and the onus appears to be on me to do something, but I can't pull the trigger. Because I know that it will irreparably change my life, and as far as I can see it, not the better.

It's kind of like the moment before you jump out of a plane. Except the point of jumping out of a plane is the rush, the fun, the excitement (I've done it, so I can relate to that). This is the exact opposite: there's nothing but dread, and fear, and uncertainty on the other side.

But when is enough enough? What about the uncertainty that I'm living with? Is that worse? It makes me think that I wouldn't do well with coping with the onset of a major disease - because I am better off in the uncertainty, where I can will myself to believe that things might turn around from being dire, even when the evidence is piling up that it won't.

I should do it. But I can't.