Tuesday, May 17, 2011

No Longer Just a Little Person: Synecodoche, New York, Two Years Later

I started my online diary three years ago. I pretentiously resist the term "blog", because I was never looking for people to seek it out to read. It was always just for me, and was hugely therapeutic in getting through a divorce, and settling into post-married-single-father life.

During the lowest point of 2008 (the closest I personally have ever been to depression,though never settled into), I was hugely impacted by the Charlie Kaufman film Synecdoche, New York, which dealt with themes of post-divorce life, while also chronicling how one may feel miniscule and purposeless in a vast universe of misunderstanding and selfishness amidst the never-ending creep towards our own mortality.

In Kaufman's view, there is no such thing as solace or peace, and even if you are lucky enough to find your soulmate, you will be kept apart by your own obsessive need to lionize - or destroy - any semblance of self, preventing true, meaningful engagement with other people. Which leads to the inevitable question you grapple with day in, day out:

The Question: Are we all destined to be lonely forever?

When your spouse leaves and you're wondering whether or not you'll ever ever date again, much less find your soul mate, these were hugely impactful themes and ideas, and there wasn't much of a positive spin to put on any of it.

The impact of the movie was best captured in the painfully gorgeous, "Little Person", whose lyrics chronicle a protagonist caught in a sea of solitude, left only to "eat my little meals, miss my little kid and wife".

After posting how I felt like "just a little person", I was surprised to find that my secret-little-blog-I-wanted-no-one-to-know-about suddenly started garnering minor amounts of traffic from random places across the globe. With this being my most emotionally naked blog post, I was disquieted, to say the least. Was I revealing too much of myself?

But as an online marketer, I became fascinated, and suddenly started poring over geographic maps (the Ukraine, really?!) of where people who found the post were from, those who were equally drawn by Charlie Kaufman's painful but intensely human rumination on what it means to be human.

Being someone not intrinsically drawn to online self-exposure (and who now, ironically, must dive into it every day in my professional career), this was confusing. I didn't want to be sucked into that living-life-online vortex, but for a period it somehow made the lonely nights a little less lonely. Some messages shared with others led me to realize this film impacted lonely others out there - were we all in the same adrift boat, yearning for rescue? There's that question again: "are we all destined to be lonely forever"?

Fast forward two years later, to the question's answer:

No, we're not

Not long after wallowing in Synecdoche-magnified self-pity, I met the love of my life. The woman that I am matched with in every way. Our rhythms are perfectly suited for each other; with no disrespect to my ex-wife, we were just never on the same rhythm. We may have wanted ourselves to, but we simply were not meant to have been life partners. I think the post-marriage grieving period was more over the loss of an idea than anything else; this is probably true for both of us.

But I found another little person who wanted to come out and play.

And play we did, and play we continue to do. We endlessly have a ridiculous amount of fun, whether it's weekends away, hanging out with my son, long nights of wine drinking and laying on the floor listening to music, grabbing coffees and glances, or even (gasp) shopping together. There's absolutely nothing that we don't do together, and even less we don't do well together. She's truly been a blessing.

Certainly, the omniscient narrator/Millicent Weems would take a dim view of this turn of events, arguing that it's all a big nothing anyway, both in the beginning, the middle and the end of our time on earth. Talking quietly in his ear - and ours - she says:

"As the people who adore you stop adoring you; as they die; as they move on; as you shed them; as you shed your beauty; your youth; as the world forgets you; as you recognize your transience; as you begin to lose your characteristics one by one; as you learn there is no-one watching you, and there never was, you think only about driving - not coming from any place; not arriving any place. Just driving, counting off time."

I choose not to believe that.

That doesn't mean that I believe in an afterlife, or God, or anything else that suggests a higher consciousness than where we stand in the here and now. But I do believe there is meaning in this life, if you are lucky enough to find it, or choose to embrace it. I do think there is someone out there for most people. Sometimes you'll find them early, sometimes late; in some cases, not at all. I've been truly lucky to find mine, and hope for others to do the same.

Caden Cotard's journey through Synecdoche is one of futility, hypochondriac neuroses and pain, but it's marked by a genuine searching and yearning - the belief that there is something out there that may be found. Something or someone that makes it better. Makes it what you believed it could be. Caden whispers into the phone:

"I know how to do the play now. It will all take place over the course of one day. And that day will be the day before you died. That day was the happiest day of my life. Then I'll be able to live it forever. See you soon."

I believe I've found my way to live forever. For this time on earth, the time that it actually matters.

For so long it was those first few verses that rattled sweet and painfully in my brain, but all that resonates now are the final stanzas:

I know you
You're the one I've waited for.
Let's have some fun.

Life is precious every minute,
and more precious with you in it,
so let's have some fun

We'll take a road trip way out west. You're the one I like the best.
I'm glad I've found you,
Like being around you
You're the one I like the best.

Somewhere, maybe someday,
Maybe somewhere far away,
I'll meet a second little person
And we'll go out and play.

I am not just a little person, and never will I be. Hopefully none of us will be.

Sunday, May 15, 2011

Prince at the Troubadour: May 11th, 2011


Part 2 of of our 2011 musical journey with Prince didn't take place the LA Forum, like the other concerts. Rather, this took place in the legendary 300 person club in West Hollywood, called The Troubadour. After Prince-insider Dr. Funkenberry led us on an entertaining but fruitless wild-goose chase for a secret show on Tuesday night, official word hit on Wednesday at 2pm, moments after more shows at the Forum went on sale:

Prince. 2 shows at the Troubadour. $100 each.

L was in a team planning meeting, and it was our night with Z, but this didn't stop me from instantaneously clicking buy on the two tickets I was able to grab for the early, 7 pm show.

True Prince fans know that an "aftershow" in a small club is the nirvana of Prince. I've seen two of these before, and bored people endlessly with the huge impact it had on me. This was about to top that.

After waiting patiently with a bunch of other gracious, good-humored Prince fans in line, we got into the club, and 10 feet from the stage. Prince came on late, as always, but after opening with aftershow standard "Stratus", it was like he reached into L's brain and started extracting every song she wanted to hear. And he wasn't just playing these songs in his alligator-toned suit - he was living them, he was breathing them, all the while giving his bandmates chances to shine. Smiling, loving the vibe, and clearly relishing the impact he was having on his devoted crowd.

The show can best be described as a love/sex/jazz/rock set. It wasn't as guitar heavy as his second show was reputed to be, but he pulled out more rarities, and slowed them down in a way that L and I would never have traded shows for the world. This was guaranteed out the gate, as Prince announced that they were Prince and the Power Fantastic. He then kicked into this revered, little-known B-side from the Miles Davis album, the house lights blue. We swooned. It was only the first time among many that L turned to me and practically cried, "This isn't really happening!".

Yes, yes it was. Prince turned songs into astonishing jams, none of them lasting less than 8 minutes. Knowing that L wanted to hear "Shhh", John Blackwell beat into it. When Prince changed it up midway into a completely different song, L moaned, "this doesn't count". When he brought it back around to the big finish, replete with possibly the best Prince guitar solo this side of Purple Rain, she shrieked, "Yes, this counts!". He kept hitting L's sweet spots with "Colonized Mind" and a sultry new song called "When She Comes" (which was not an euphemism).

Prince was in rare form, with a band that more than met his match. He played for 2 1/2 hours, pulling out Joni Mitchell's "A Case of U", a hopping version of "Controversy", while pointing out people trying to snap his picture, who were summarily ripped out of the crowd by aggressive security. When Prince started into Marvin Gaye's "Let's Get It On", I almost groaned at the cliche nature of it, but after Mike Phillip's sax and a glorious vocal treatment by the stunning Andy Allo, I decided it was the greatest version of "Let's Get it On" that's ever been done. Yes, it was that good.

He left us gasping, and practically stumbling out of the club. We spent the next two days on a complete high that didn't let up until... we saw him again.

Feel free to read Part 1 of our Journey with Prince if you missed it.

Click here to see a deduped list of all 66 unique songs we heard over the course of 5 shows.


Prince Songs We Heard Over 5 Shows


Over the course of 5 shows in LA (April 14-May 13), we heard a total of 66 different songs. Most by Prince, along with more than a few covers. Four of the shows were at the LA Forum, and one was at the Troubadour (early show).

1999
A Case Of U (Joni Mitchell cover)
A Love Bizarre
Adore
Alphabet St
Baby I'm a Star
Beggin' Woman Blues
Boom (Instrumental)
Colonized Mind
Controversy
Cool
Don’t Stop Till You Get Enough
Cream
D.M.S.R.
Dance (Disco Heat)
Delirious
Dreamer
Endorphinmachine
Everyday People (with Larry Graham)
Extraordinary
Future Soul Song
Hot Thing
I I Was Your Girlfriend
I Would Die 4 U
Inglewood Swinging
Insatiable
Instrumental Jam with Mike Phillips
Kiss
Laydown
Let's Go Crazy
Let's Work
Little Red Corvette
Make You Feel My Love (with Cassandra Wilson)
Misty Blue (Shelby J.)
Mountains
Musicology
Nothing Compares 2 U
Peach
Play That Funky Music
Pop Life
Power Fantastic
Prince & The Band
Purple Rain
Question Of You (instrumental)
Raspberry Beret
Scandalous
She's Always In My Hair
Shh/U Will Be There
Sign O The Times
Sometimes It Snows In April
Somewhere Here On Earth
Stand Up (Shelby )
Stratus (Billy Cobham cover)
Superstition (with Stevie Wonder)
Sweet Thing (with Chaka Khan)
Take Me With U (duet with Janelle Mone)
Thank You (Falettinme Be Mice Elf Agin) (with Larry Graham)
The Beautiful Ones
The Glamorous Life (Sheila E)
The One
U Got the Look
Uptown
Welcome 2 America
When Doves Cry
When She Comes
You're The One For Me (Shelby )

Our Journey with Prince Pt. 1 - The Welcome to America at the LA Forum 2011


I never would have thought I would meet the love of my life because of the musical love of my life. But, sure enough, I met L almost three years ago over a shared appreciation of the much-maligned Prince. At a company poker game, she announced her belief that Prince hadn't recorded anything worthwhile after 2000, and I set out to prove her. Sure, he hasn't put together a complete album since, perhaps, 1994's The Gold Experience... but there has been some amazing tracks over the past 15 years on albums such as The Rainbow Children, LotusFlow3r, Musicology, 3121.... it doesn't reach the peaks, but there have been more than only valleys.

Anyway... we bonded over Prince's live version of "Joy in Repetition", and the last 2+ years has featured bemoaning and cajoling over our inability to see our mutual musical legend together. We missed two high-profile opportunities, at the Avalon post-Oscar show and the Nokia Theater, and started to wonder if we'd get another. Prince's enigmatic performance choices didn't make it any more certain we'd ever get the chance, especially since he spent much of the 2000s in LA, but had appeared to have quietly fled the LA scene. When he announced his Welcome 2 America tour in NY, and then proceeded to not announce a national tour, we thought another opportunity would pass by.

But in Prince's inimitably inexplicable manner, he announced he was coming to LA. Not for one show, but for 21 of them at the LA Forum, the crumbling arena that was the site of so many famed concerts, but now was largely used for the occasional rock show and frequent religious revivals. Needless to say, we jumped at the opportunity. When Prince further announced that 85% of the tickets would sell for $25, we knew this wouldn't be an one-time affair. It was a chance to make up for lost time.

We didn't know then that our love of Prince would lead to 5 shows in 4 weeks, one of them in the most intimate of settings imaginable.

We started on April 14th at opening night. My fast trigger finger on the hateful Ticketmaster left us with riser seats just off the tip of his glyph-symbol stage. Though we sat next to two extraordinarily stoned young hipsters, one of whom threw up over our whole row midway through the show, it was everything we could've possibly wanted - and twice as much as we could have imagined. Prince put tickets on sale two days before the show, and it was only 2/3rds full. This allowed us to wander wherever we wanted during the show - our view got better and better throughout.


But more notably, Prince was in salesman mode. Not by pitching the other shows, but by knowing that word-of-mouth is the best way to generate crowds. How do you do that? By playing a 4 hour show with 6 encores, that never seemed to end. It just went on and on, and L and I spent the final 90 minutes of the show standing right next to the stage, underneath Prince as he played guitar on a heartbreaking version of "Sometimes it Snows in April", because launching into a blistering version of "Laydown", one of those tracks that proves that Prince can take a mediocre recorded cut and turn in into a live classic with astonishing ease.


After four exhausting hours, we were hooked. We talked the show up to everyone who would listen, and waited with itchy mouse fingers on Ticketmaster for the next show.

I decided that taking Z to the next show was essential. Not because a 6-year-old loves Prince that much, but out of that selfish paternal need - I wanted to be that cool dad who took his kid to a hip, cool show, and have him look back 10 years from now and be able to tell his friends, "Yeah, my dad took me to see Prince when I was six". He may not appreciate it now, but that will make for some great cocktail conversations later in life.

Z loved the experience - the walking with the crowd, the being out late, the energy. The music itself was a little overwhelming, and he spent the first half of the show with his hands over his earplug-filled ears, but then he loosened up, amazed at Sheila E's powerful drum solos. When Sheila kicked over her cymbal, Z curiously asked why, and I had to respond "Because she KILLED it!". His mind was sufficiently blown. Show #2 in the books.

Show #3 was with my best friend P, and another close friend that I've bonded with Prince over for the past 10 years.

Show #4 at the Forum started with dance pit tickets, but we moved to prime seats just off the side of the stage. Janelle Monae was the opener, and while I had been dying to see her, it doesn't seem like her material is best served by an arena. In a club she'd probably be mind-blowing, but her high-energy, insanely ambitious stage show came off a little flat in the cavernous arena.

While the length and freshness of the April 14th show wasn't quite matched (and that show is already becoming known as "legendary" among Prince fans), it was nonetheless a stunning show. Prince was perhaps the most high-energy of any of the Forum shows, and we were treated to an intense version of "Shhh", and a non-stop display of guitar theatrics and Prince moves that left the audience shrieking like teenagers. Prince had the audience in his hand, and he knew it.

The show closed more than three hours after it started, but not before Prince brought out a special guest: Stevie Wonder. It was Stevie's birthday, and no matter how old he may be, the audience graciously appreciated the appearannce, and were treated to "Superstition", with Prince taking the side of the stage on rhythm guitar, as Stevie played harmonica and then keyboards. It was a true treat, and again reconfirmed just how special these shows have continued to be.

The LA Forum set lists mostly had a similar template each time though some skewed a more guitar-heavy (such as playing the B-side "She's Always In My Hair") as the second track of a Friday show. Prince would play covers with more regularity than his own tracks, with "Hollywood Swinging" becoming a nightly dance-party on stage, appearing more frequently even than "Let's Go Crazy".

"Glamourous Life" with an ageless, sexy-as-all-hell Sheila E appeared more frequently than "Sign O The Times", and was never a remote disappointment. In fact, it was a regular highlight, leaving the audience nearly as sweaty as Sheila herself.

One of the more surprising aspects of the shows was how some of the least expected tracks could be have the biggest impact, such as the aforementioned "Laydown" or a mind-blowing version of "The One" on May 13th. Dedicated Prince fans know better than to complain about his song performance choices though. How can a fan possibly have all your wishes granted when he has at least 200 songs he could justifiably play - not even counting the 20% of the songs that are covers. You get what you get, and you can expect that you'll love it. All of it.

Here's a list of all 66 different songs we heard over 5 separate shows. Yes, 66. Not counting samples.

Of all the big-venue shows I've seen Prince put on (the Bowl, Staples, Nokia, etc.), the Forum shows have far and away been the best he's put on. It's been pure joy - both for Prince and the audience. Sharing these concerts with L have been the greatest musical experiences I could imagine.

The dedication and enthusiasm we brought to these shows as a couple were only outdone by the enthusiasm, energy and grandiose perfectionism that Prince brought to the stage every night.

But even these amazing performances at the Forum weren't the peak of our Prince musical journey this month. The peak came somewhere else entirely...


If you want some more official, published reviews, here's some reactions to the LA Forum shows.